Tuesday, November 3, 2015

Earl Norem artwork in our HE-MEN, BAG MEN & NYMPHOS story anthology…

I’ve been sidetracked lately, working with my publishing partner Wyatt Doyle to put together two new books in our Men’s Adventure Library series, which currently includes WEASELS RIPPED MY FLESH!, HE-MEN, BAG MEN & NYMPHOS and the CRYPTOZOOLOGY ANTHOLOGY.

If you’re a regular reader of this blog or a member of our Men’s Adventure Magazines Facebook Group, you’ll be among the first to know when those books are available.

The time spent working on our new book has led to a long gap in posts here on the MensPulpMags.com site.

I plan to get back to doing posts here on a more regular basis now.

My last posts focused on men’s pulp adventure mag artwork by the great illustration artist Earl Norem, who died this past June.

As noted in one of those posts, several stories in our men’s adventure story anthology WEASELS RIPPED MY FLESH! feature great artwork by Norem, such as his interior illustrations for the “Book Bonus” version of Mario Puzo’s THE GODFATHER, in the August 1969 issue of MALE magazine.

HE-MEN, BAG MEN & NYMPHOS, Walter Kaylin anthologyThere are also some terrific Norem illustrations in our HE-MEN, BAG MEN & NYMPHOS story collection, which focuses on the wild action and adventure yarns written by Walter Kaylin.

My favorite is Earl’s duotone illo for Kaylin’s story “SURF PACK ASSASSINS,” originally published in MALE, August 1967.

That cool duotone shows the four members of the Surf Pack Assassin gang surfing in to attack a target.

Their target is relaxing on the beach, surrounded by bodyguards, thinking he is safe.

Natch. Nobody expects the Surf Pack Assassins!

Nor would anyone expect to see a surfer firing a 50-caliber machine gun mounted on the front of his board. (Don’t try it yourself, folks. The Surf Pack Assassins are trained professionals.)

Earl Norem also did a second duotone and several small black-and-white illustrations for this story.

The second duotone shows one of the female pack members, Molly, trying to lure the main character, an undercover government agent named Dick Billings, into the gang’s multi-purpose hearse.

“This is a fine old hearse,” Molly says, literally twisting Billings’ arm. “Now let’s put a little life into it…” (Ya think she had to twist very hard?)

In one of Norem’s B&W illustrations for the story, another female pack member named Maggie demonstrates that she can’t really fly.

The other two B&W illos Norem did for the story are action scenes. One shows an explosion. The other shows a pack member surfing toward Billings with a big ass knife, hoping to cut his throat.

Earl Norem did second set of illustrations for another Walter Kaylin story in HE-MEN, BAG MEN & NYMPHOS titled “MEET OUR TERMS OR WE DESTROY 500 MILLION PEOPLE.”

Walter wrote that one under his common pseudonym Roland Empey.

It’s a long, almost novella-length yarn and, to my knowledge, it’s the only alternate history science fiction story featuring Nazis to appear in a men’s adventure magazine. Norem’s artwork for the two-page opening spread is especially awesome.

In the story, a group of Nazis soldiers and scientists who have remained hidden in a secret base under the arctic ice pack for decades suddenly emerge and threaten the world with the nuclear warhead missiles they have developed.

By coincidence, Robert F. Dorr, one of Walter Kaylin’s fellow men’s adventure writers, recently wrote an alternate history science fiction story featuring Nazis that I highly recommend: HITLER’S TIME MACHINE.

Dorr and Kaylin both wrote hundreds of stories for the classic men’s adventure mags published by subsidiaries of Martin Goodman’s Magazine Management company, such as ACTION FOR MEN, FOR MEN ONLY, MALE, MAN’S WORLD, MEN, STAG and TRUE ACTION.

There’s one final Norem illustration in HE-MEN, BAG MEN & NYMPHOS. It’s one of my favorite whimsical men’s adventure paintings by Earl.

It was used for the humorous story “TODAY THEY CALL HIM FATHER ITALY,” originally published in FOR MEN ONLY, March 1975.

Why was the main character called “Father Italy”? Well, there’s a hint in the subtitle: “He Was the Only Male P.O.W. In a Female Prison Compound.”

The Earl Norem illustrations shown here just give a taste of the great men’s adventure magazine artwork and stories you’ll find in HE-MEN, BAG MEN & NYMPHOS. It’s chock full of manly, pulpy stuff.

If you haven’t bought a copy yet and are a reader of this blog, I’ll give you a 25% discount (that’s $5) if you buy it direct from me on eBay. Just add a note to let me know you saw the discount offer on MensPulpMags.com when you check out and I’ll send you back a rebate via PayPal. Here’s a link to my listings on eBay –> http://bit.ly/SubtropicBob-eBay 

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Related reading: books featuring artwork by Earl Norem…

Thursday, August 27, 2015

Art by Earl Norem does double duty, for a “Spider Tribe” and a “Scorpion Cult”...

My previous post here took a closer look at Earl Norem’s amazing interior illustrations for the “Book Bonus” version of Mario Puzo’s novel THE GODFATHER in the August 1969 issue of MALE magazine.

We featured those illustrations in our WEASELS RIPPED MY FLESH! anthology, along with an interview Puzo did with our co-editor Josh Alan Friedman about his years as a writer for men’s adventure magazines published by Martin Goodman’s Magazine Management company.

Another classic Norem illustration we featured in WEASELS is an example of a cover painting that was later changed and repurposed for a second cover and a different story.

The first version was the cover painting Norem did for ACTION FOR MEN, March 1969.

It shows a hunky American guy staked out on the ground, with big tarantula-like spiders crawling on him.

In the background, some of the natives who staked him out are dancing around him.

The men are covered in red body paint and look like iconic South American aborigines.

As usual in men’s pulp adventure mags, the female tribal members are non-native-looking babes who look like PLAYBOY models.

This amazingly cool Earl Norem goes with the story inside titled “I LIVED WITH THE LOST 'SPIDER TRIBE' OF BOLIVIA.”

It’s portrayed as a true story in the magazine, complete with a straight-faced introduction by the editor.

The editor’s note explains that the story is about U.S. Air Force Captain Charles Hines, the pilot of an American U-2 reconnaissance plane.

According to the editor, Hines was on a spy mission over Communist Cuba when his oxygen malfunctioned.

He ended up making an emergency crash landing in the jungles of Bolivia, where he became “the first white man to visit the Boronos — the most primitive tribe in the Western Hemisphere, if not the world.”

Of course, readers didn’t have Google back then. They couldn’t just search “Boronos tribe” Bolivia and find out that search returns the message “No results found.”

So, as was customary for men’s adventure magazines, the supposed reality of the story was played to the hilt.

In addition to adding a credible-sounding introduction, the editors used various stock photos to enhance the illusion.

I’d guess that few readers ever noticed (or cared) that the photos seem to show native people from a couple of different tribes or places.

The “Spider Tribe” story is credited to George D. Robinson, a pseudonym of writer David George.

According to Phil Stevensen-Payne’s indispensible vintage magazine website, Galactic Central, George wrote stories for both pulp fiction digest magazines and men’s adventure magazines under several pen names.

Two years later, Earl Norem’s “Spider Tribe” cover painting was altered by changing the spiders into scorpions.

With that change, it was featured in an inset panel on the cover of FOR MEN ONLY, March 1971. The scorpion transformation was done so the painting could be used for the story “I WAS SEIZED BY PERU’S ‘SCORPION CULT’ TRIBE.”

That one was written by one of the most notable authors who started out writing for men’s adventure magazines, Robert F. Dorr.

I’ve written quite a few posts about Bob Dorr here in the past and have had the pleasure of getting to know him through an ongoing correspondence.

He’s also an active member of our Men’s Adventure Magazines Facebook group, and regularly posts comments there that provide insights into what it was like to write for men’s adventure magazines back in the day.

Bob wrote hundreds of stories for many different men’s adventure magazines in the 1960s and 1970s.

He went on become one of our country’s top military aviation historians.

In recent decades, he’s written hundreds of articles for military and aviation periodicals and 70 history books, most recently a highly-praised series about the crews of fighters and bombers of World War Two, that includes HELL HAWKS!, MISSION TO BERLIN, MISSION TO TOKYO and FIGHTING HITLER’S JETS.

This year, Bob branched out by writing the hard-hitting, expose-style book AIR POWER ABANDONED: ROBERT GATES, THE F-22 RAPTOR AND THE BETRAYAL OF AMERICA’S AIR FORCE.

He also self-published his first novel, a highly entertaining alternate history story titled HITLER’S TIME MACHINE.

Although HITLER’S TIME MACHINE is Bob’s first novel, he got lots of practice writing fiction during his years as a regular contributor to men’s adventure magazines.

Like the “Spider Tribe” story in ACTION FOR MEN, Bob’s “Scorpion Cult Tribe” story in FOR MEN ONLY is another classic example of a MAM yarn that was published as a true story and accompanied by photos designed to create an air of credibility.

In this case, the editors apparently figured that most readers would not notice (or care) that the photos supposedly depicting a Peruvian tribe includes shots of some Middle Eastern guy with scorpions on his face and a group of Australian aborigines.

Those kinds of unintentionally humorous absurdities are among the things I love about men’s adventure magazines.

I also love the cool spiders-turned-to-scorpions cover painting by Earl Norem, which is a classic example of a whole sub-genre of MAM stories that involve animals as instruments of torture (a subject I wrote about in a previous post here).

And, believe it or not, the “Spider Tribe” and “Scorpion Tribe” stories are actually damn good pulp fiction yarns that we may feature in a future story anthology.

Coming up: Earl Norem artwork from our HE-MEN, BAG MEN & NYMPHOS anthology.

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Want signed copies of any of our men’s adventure magazine story anthologies shipped anywhere in the world? Click this link or the image below to buy copies directly from me on eBay.

Men's Adventure Library books

Sunday, August 9, 2015

Earl Norem and Mort Kunstler artwork for THE GODFATHER…

In my previous post here, I featured some of the original artwork by Earl Norem that’s owned by members of our Men’s Adventure Magazines Facebook Group.

We’ve been posting a lot about Earl in the group since his death on June 19, 2015 at age 91.

He was one of the greatest and most prolific of many great artists who worked for men’s adventure magazines and the related realm of comics.

In a comment on a post in the group, one of the members who had not yet bought our first two men’s adventure magazine story anthologies – WEASELS RIPPED MY FLESH! and HE-MEN, BAG MEN & NYMPHOS – asked me if there are any illustrations by Earl Norem in those books.

The answer is: Oh, hell yeah! There are some great Norems in those books.

For example, the WEASELS anthology includes the masterful duotone montage illustration Earl Norem created for the “Book Bonus” version of Mario Puzo’s novel THE GODFATHER that appeared in the August 1969 issue of MALE magazine.

Among the scenes included in the montage is at least one you will undoubtedly recognize: the bloody horse head in the bed.

It and the other two small scenes are all worthy of a closer look.

MALE’s “Book Bonus” excerpts from THE GODFATHER came out just five months after the novel was originally published by G. P. Putnam's Sons.The first edition of the book was released on March 10, 1969, with the iconic marionette image created by graphic designer S. Neil Fujita.

If you’re a fan of this blog or our anthologies of men’s adventure magazine stories, you probably know that Mario Puzo wrote THE GODFATHER in his spare time while he was working as a writer and Associate Editor for Martin Goodman’s company Magazine Management.

Magazine Management was the umbrella for various subsidiaries that published MALE and the other classic “Atlas/Diamond” men’s adventure magazines, such as ACTION FOR MEN, FOR MEN ONLY, MAN’S WORLD, MEN and STAG, as well as many other types of magazines, comic books (including the early Marvel Comics) and paperback books.

In fact, Puzo wrote scores of stories for those magazines before Francis Ford Coppola’s 1972 movie version of THE GODFATHER launched his career into the stratosphere. Most of Puzo’s men’s adventure magazine stories were written under the pseudonym Mario Cleri, but many were published under his own name.

Giving Magazine Management the rights to publish a “Book Bonus” edition of THE GODFATHER was a nice nod to Puzo’s writing roots and MALE gave it special treatment.

The front cover featured a terrific cover painting for the story by artist Mort Kunstler. It’s also a montage style painting featuring several scenes.

To further enhance the cachet of their GODFATHER “Book Bonus issue, the editors had a special promotional “card” on fairly thin white paper glued to the cover along the left edge.

The promo overlay has short quotes from reviews of the novel by the CHICAGO SUN-TIMES, NEWSWEEK, THE ATLANTA JOURNAL, THE NEW YORK TIMES and (for some odd reason) THE ANNISTON, ALA. STAR.

To see the complete cover of the issue, you had to lift the overlay and fold it over like a flap or – as most readers appear to have done – tear it off.

Underneath the review sticker is a headline for an interesting anti-animal experiment exposé titled “LET’S STOP THOSE ‘EXPERIMENT’ LABS THAT TORTURE ANIMALS” and another for a the story “THE TEROPOR TREK THROUGH THE EVERGLADES.” Today, it’s a valuable find if you can snag a copy of MALE, August 1969 with the GODFATHER review quotes foldover still attached.

Inside the magazine, in addition to the main 2-page interior illustration by Earl Norem, there’s a second smaller, half-page Norem illustration for THE GODFATHER that we also reproduced in our WEASELS anthology. It’s Norem’s depiction of the classic scene in which Michael Corleone meets drug dealer Virgil “The Turk” Sollozzo (who had recently had his men try to assassinate Michael’s father Vito) at a restaurant, supposedly to discuss peace terms. Sollozzo is accompanied by the corrupt local police captain Mark McCluskey.

In the novel, after the three men sit down at the table and have some initial discussion, Michael excuses himself and goes to the bathroom, where he retrieves a handgun one of the Corleone men had hidden for him before the meeting. When Michael returns to the table, he shoots and kills both Sollozzo and McCluskey, then calmly walks out of the restaurant.

I love Norem’s illustration of Michael shooting of Sollozzo and McCluskey.

I also love the restaurant shooting sequence in Francis Ford Coppola’s movie version of THE GODFATHER.

When Michael (played by actor Al Pacino) kills Sollozzo (Al Lettieri) and McCluskey (Sterling Hayden), it signals that he has finally embraced being a member of a Mafia family and given up his attempt to be a “normal” member of society. And, the bloody denouement of the scene, with Captain McCluskey grabbing futilely at the spurting bullet hole in his neck, just before Michael shoots him in the head, is indelibly memorable.

Mort Kunstler’s montage cover painting for MALE, August 1969 also includes a depiction of several scenes from the book, including his version of the restaurant shooting scene, a nice example of a “Good Girl Art” babe, a bedroom scene (possibly depicting Michael Corleone’s with his second wife Kay, played by Diane Keaton in the movie), a nighttime shooting scene.

Interestingly, if you reread the novel, you find that Coppola's version was actually a bit closer to Puzo's description of the order and placement of the shots Michael fired than Norem’s or Kunstler’s. Here’s how it’s depicted in the book:

"Michael thrust the table away from him with his left hand and his right hand shoved the gun almost against Sollozzo’s head...The bullet caught Sollozzo squarely between his eye and his ear...Michael pivoted to bring the gun to bear on McCluskey...It caught McCluskey in his thick bull-like throat and he started to choke loudly as if he had swallowed too large a bite of the veal. Then the air seemed to fill with a fine mist of sprayed blood as he coughed it out of his shattered lungs. Very coolly, very deliberately, Michael fired the next shot through the top of his white-haired skull."

Coming up: more Earl Norem art from our WEASELS anthology, our HE-MEN, BAG MEN & NYMPHOS anthology, and a new collection we plan to publish in the fall of 2015.

Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Related reading: books featuring artwork by Earl Norem & Mort Kunstler…