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Sunday, May 28, 2017

My annual Memorial Day post: a look at the first issue of BATTLE CRY magazine...


[EDITOR'S NOTE: A link to download a free PDF copy of the first issue of BATTLE CRY magazine is at the bottom of this post.] 

Memorial Day is a day to remember and honor the men and women who died while serving in the United States Armed Forces.

But it also makes me think of my late father, Robert Carl Deis, who served in the Army during World War II and survived.

Dad was a Scout and Rifleman in the 6th Infantry Division (specifically, G Company of the 1st Infantry Regiment). He saw hellish action in the South Pacific.

Like many veterans, when Dad came back to the States, he worked in blue collar jobs to support his family and struggled to understand and adjust to the enormous social changes that were taking place in the 1950s and 1960s.

American military veterans like my Dad and his Army buddies, who served and survived, were the primary audience for many of the men’s adventure magazines of the ‘50s and ‘60s.

And, there were millions of them.
In fact, there were nearly 16 million male veterans of World War II when that global conflict ended in 1945.

Some of them also fought in the Korean War, which began five years later. More than 5.7 million Americans served in that conflict by the time it ended in 1953.

Most of the 160 or so magazines in the men’s adventure genre were designed to appeal to the interests those veterans and, later, to the 8.7 million American men who served in the Vietnam War from 1964 to 1975.

Thus, almost all included war stories of various kinds: true history pieces and eyewitness accounts; serious dramatic war fiction; highly-embellished articles that mixed fact and fiction; and, wild over-the-top yarns featuring sadistic Nazis and Commies, scantily-clad babes, and battling Yanks. However, only some of men’s pulp adventure magazines had a specific focus on war.

They included: BATTLE CRY, BATTLEFIELD, BATTLE ATTACK, BATTLE STATION, MAN’S COMBAT, MEN IN COMBAT, REAL COMBAT STORIES, REAL WAR, SALVO, TRUE BATTLES OF WORLD WAR II, TRUE SPY AND WAR STORIES, TRUE WAR, TRUE WAR STORIES, WAR, WAR CRIMINALS, WAR STORIES, WAR STORY and WOMEN-IN-WAR.

Most of the magazines in the war mag subgenre were fairly short-lived (as were many other magazines in the men’s adventure genre in general). The longest-lasting was BATTLE CRY. It was published from late 1955 to mid-1971 by Stanley Publications, Inc., the flagship company of pioneering comic book and magazine publisher Stanley P. Morse.

When the puritanical 1954 Comics Code essentially banned violent or sexy images in comics, Morse discontinued his BATTLE CRY comic book and created the men’s adventure magazine BATTLE CRY.

The comic had lasted for 20 issues. That’s why the first issue of the men’s adventure magazine version, dated December 1955, was numbered Vol. 1, No. 21.

The first issue of BATTLE CRY magazine features a moving cover painting. Unfortunately, it’s uncredited. (My guess is that it may have been done by the great pulp illustration artist Clarence Doore, who did many of the early BATTLE CRY covers.) It shows two American GIs driving a jeep loaded with the flag-covered coffin of a fallen comrade. The words “LAST TRIP,” printed at the bottom of the cover, are the poignant title of the painting, not the title of a story inside.

On the contents page of this issue, there’s a fascinating introduction about the purpose of the magazine, presumably written by the magazine’s initial Editor, Harry Kantor.

This intro doesn’t mention anything about the transformation of the BATTLE CRY comic into a men’s adventure magazine.

Here’s how it explains the genesis and purpose of the new periodical:   

WE’RE mad. Good and mad. P.O’ed.
     This started because of something we overheard. We were reminiscing about the old days in England with the 8th AAF, when some joker butts in with, “The war’s over! When are you guys gonna forget it?” We didn’t answer him. We were too stunned to answer. But his remarks set us to thinking. And wondering.
     We wondered if that’s how most people felt. “Forget about 1940-45, it’s over and done with. World War II and Korea are just history.”
     Well, maybe so. But not to us who were in it. Especially those who shed some blood. We don’t forget that easily. Even if the others do. Korea was an example of that. Just a nice private little war. Only concerned those who were there and their families. Didn’t concern anyone else.
     Well, that’s what we’re sore about. You don’t forget that easily. Or you shouldn’t. And that’s why this magazine.
BATTLE CRY is to make sure you don’t forget.   
     What are our purposes? Our aims? Well, we’re not going off half-cocked and say that through these pages we hope to stop wars. We know that can’t happen. Even though we wish it could. Magazines don’t stop wars. People do.
     But we felt that it’s about time people found out what war is really like. The frustrations, the fears, the anguish, the futility, and all of the rest that makes up combat and the military.
     That’s why this magazine.
     Another reason. Sixteen million present and ex-service men and women. Somewhere on these pages you’ll find something that interests you. That concerns you. A shot of your old outfit. A battle you fought in. A buddy you lost contact with. We’re trying to make this the postwar
YANK. We’re trying to make this YOUR MAGAZINE.
     No, we’re not forgetting we were once in The Service. We’re damned proud of it.
     BATTLE CRY will help us to remember.

Inside the first issue of BATTLE CRY there are announcements of several regular features designed to let veterans communicate with each other — in the same way a modern Internet forum or Facebook group does for people who share certain interests.

For example, the “Whatever Happened To...” section was designated as a place where vets could post messages to old buddies they were trying to find or to announce dates and locations of reunions for their outfits. The “So You’re Out Now” feature was launched as an ongoing source of information about programs for veterans and to provide answers to questions vets sent in about problems they faced. 

The articles and stories in the December 1955 issue of BATTLE CRY and other early issues are not the type of wild-and-crazy “sweat magazine” style yarns that were the primary content of most Stanley Publications magazines in the 1960s and early 1970s (including issues of BATTLE CRY published in those decades).

Many stories were gritty, but not lurid, non-fiction and fiction war stories, such as:

“CALL ME TRAITOR!,” an insightful “as told to” story about a soldier who was a prisoner of war in Korea;

“THE BLOODY 100th,” a fact-based story about B-17 crews in the 100th Bombardment Group that reminded me of the history books MISSION TO BERLIN and MISSION TO TOKYO, by the late, great men’s adventure magazine writer and military aviation historian Robert F. Dorr;

“TANK TRAP,” another fact-based story, about WWII tank crews;

“WORLD’S TOUGHEST KILLERS IN KHAKI,” a salute to the Australian military;

“THE BLOODY BUTCHERS OF MILNE,” an account of the WWII Battle of Milne Bay in New Guinea

“YOU DON'T COUNT FOR A DAMN,” a ripping WWII fiction yarn;

“YA GOTTA KILL ‘EM TO TRAIN ‘EM,” an endorsement of tough basic training techniques;

“WHAT MEN THINK OF IN THE FACE OF DEATH,” another story about the bravery of American bomber crews, this time B-24 crews in the South Pacific; and,

“SUICIDE SUB,” a true story about the USS Tang, a famed WWII submarine that sank 33 Japanese ships before being sunk by a malfunctioning torpedo in 1945, killing most of the crew.

Not all of the stories in the first issue of BATTLE CRY are serious. For example, there’s an article about the often laughable “GI SEX INSTRUCTION FILMS” (a.k.a. sex hygiene films) that were supposed to educate American soldiers about how to avoid catching a venereal disease (or getting the local gals pregnant).

There’s a humorous story about the, uh, side benefits of serving behind the lines in an office that had female staff, titled “I WAS A FILING TIGER.”

And, as usual in vintage men’s pulp mags, there are advertisements that often provide unintended humor, like the oddly-placed ad about the power of prayer that’s sandwiched between ads for illustrated porn booklets on one of the back pages.

There are also some classic cheesecake photo spreads in this issue, featuring the famed stripper Evelyn “Treasure Chest” West, the alluring, somewhat notorious actress and model Francesca De Scoffa and a lesser-known pinup model named Lee Wilson.

In the 1960s, BATTLE CRY moved increasingly into “sweat magazine” territory and left behind many of the original goals outlined in the Editor’s introduction in the December 1955 issue.

Yet, as noted by vintage magazine expert Dr. David M. Earle, author of the excellent book ALL MAN!: HEMINGWAY, 1950s MEN'S MAGAZINES AND THE MASCULINE PERSONA, men’s adventure magazines published in both the ‘50s and ‘60s played an important role in the lives of America’s military veterans. 

In an interview I did with Dr. Earle a while back, he explained:

“The most concentrated exploration of men’s adventure magazines that I make in the book, and which I find pretty enthralling and novel still, is how they offered veterans of World War II a means to deal with and categorize both their wartime experience and the difficulties of returning to United States. They returned to a society that was, for a large part, unaware of exactly how horrible their experiences had been. The bloody realities of the war had generally been censored by the government and avoided by the press.

Yes. The end of the war was obviously a happy time, but also a very traumatic time: a difficult shift to a postwar economy, pressures of suburbanization, the simple difficulties of readjusting, and even the difficulty of expressing, to your family and yourself, the experience of war. Men’s adventure magazines like BATTLE CRY featured stories by and about vets, soldiering, battle. They offered columns for reuniting with former war buddies. They returned men to the camaraderie of soldiering, but in a safe place. The stories about war provided a text and narrative for vets to identify with. This is one of the important parts of healing for PTSD [Post Traumatic Stress Disorder], hence why ‘rap sessions’ were implemented for vets returning from the Vietnam War. Audie Murphy, the World War II hero who became a famous actor, wrote an amazing story about this for BATTLE CRY in 1956 [“The Day I Cried,” August 1956] that was instrumental in breaking the previous taboo about discussing war-related mental problems.

The aspects of men’s adventure magazines mentioned by Dr. Earle are front and center in the first issue of BATTLE CRY. It remains one of the best issues of the magazine from its early, pre-sweat mag years.

In fact, I consider it a classic within the entire men’s adventure genre. That’s why I scanned in the entire copy and added it to the MensPulpMags.com virtual newsstand.

To download a complete, high resolution PDF copy of BATTLE CRY, December 1955, click this link or the image below.

In honor of Memorial Day, I am making this issue available for free to interested readers.

This one’s for you, Dad.

*     *     *     *     *     *     *     *     *     *

Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Click this link or the image below to download a PDF copy of:

BATTLE CRY, December 1955

This is a digital copy of the complete issue, in high resolution PDF format, featuring gritty war stories, classic pulp art, vintage cheesecake photos of Evelyn “Treasure Chest” West, and much more.

BATTLE CRY, December 1955. Cover & stories

Sunday, May 14, 2017

Happy Mothers Day – and thanks to head Mother Frank Zappa for my men’s adventure magazine obsession…

Frank Zappa, Weasels Ripped My Flesh album
Naturally I think about my late mother every Mother’s Day.

This year on Mother’s Day, in addition to thinking about Mom, I’ve been working on a new book collecting men’s adventure magazine stories and artwork that’s set for release next month.

As I scanned one of the classic MAM covers that will be included in it—a gonzo image of a man being attacked by a horde of big, red coconut crabs— it got me thinking about another Mother: Frank Zappa, the creator and guiding light of the avant-garde rock band The Mothers of Invention.

I became an instant fan of Frank and the Mothers in 1966, when they released their first album FREAK OUT! in 1966.

I bought most of the albums they released in the ‘60s and ‘70s. Then I rebought them on CD years later.

About ten years ago, I bought a new CD edition of their album WEASELS RIPPED MY FLESH.

It sparked a flashback to the day in 1970 when I bought that album at the Pearl Alley Discs record shop in Columbus, Ohio, near the Ohio State University campus where I was going to school.

I remembered thinking the LP’s title was a hoot. And, I loved the bizarre cover art – a retro-style cartoon.

It shows a vacantly smiling square guy shaving with an, um, electric weasel.

MEN'S LIFE, Sept 1956 - Wil Hulsey coverThe weasel’s teeth are making a bloody gouge in his cheek. Wild!

While I refamiliarized myself with the album by listening to the CD, I decided to search the internet to read some background info on the original album.

What I found caused a domino effect that sucked me into the realm of men's adventure magazines published in the 1950s, 1960s and early 1970s – sometimes called men’s pulp magazines or “men’s sweat magazines.”

From various websites, I learned that Zappa got the album title from a story in one of those magazines: the September 1956 issue of MAN’S LIFE.

I found a picture of that issue’s cover online.

It features an incredible painted illustration that’s even more bizarre than the album artwork.

The MAN’S LIFE cover painting (which I later learned was done by one of the great illustration artists who worked for the genre, Wil Hulsey) shows a bare-chested, bleeding, manly man waist-deep in churning water, desperately fighting off a horde of attacking weasels!

And, there in the lower right hand corner is the classic headline for the cover story inside: “WEASELS RIPPED MY FLESH!”

Several Zappa fan sites explained that Frank Zappa owned a copy of that issue and loved the story title. But he decided not to use the Wil Hulsey painting for the cover of the album he named after it.

Instead, he showed a copy of the issue to a hip young illustration artist who called himself Neon Park. (His birth name was Martin Muller).

Saturday Evening Post, Oct 3, 1953 - Schick razor adPark had recently done cover paintings for several rock albums and Zappa liked his work.

According to legend, Zappa showed Park the MAN’S LIFE cover and asked him: “What can you do that’s worse than this?”

I assume that by “worse” Zappa meant something even more over-the-top than the OTT scene on the cover of the September 1956 issue of MAN’S LIFE.

Neon Park came up with his own WTF image for the album cover.

It was inspired by a black-and-white Schick Razor ad he saw in the October 3, 1953 issue of the SATURDAY EVENING POST that shows a guy happily shaving with his Schick.

Park painted a cartoony version of the guy in the ad holding what appears to be an, uh, electric weasel.

The weasel’s teeth are ripping a bloody gouge in the guy’s cheek. But he’s smiling blissfully. A word balloon next to his head says “RZZZZZ!” Another shows the name of the album, which became far better known than the music in it.

After reading about all that, I tracked down a copy of MAN’S LIFE, September 1956 on eBay, bought it (for over $200) and read it.

Neither the magazine nor the “WEASELS RIPPED MY FLESH!” story were what I expected.

I had grown up during the decades when men’s adventure magazines were sold on newsstands and sitting on tables at local barber shops, but I hadn’t paid much attention to them and had never read any.

I viewed them as magazines for men my father’s age—which indeed they were. Indeed, as I learned, they were targeted to men like my Dad, who grew up reading early pulp fiction magazines and served in the military. (Dad was a World War II veteran.)

Weasels Ripped My Flesh story anthologyWhen I read MAN’S LIFE, September 1956, I was fascinated by everything about it: the fiction stories, the supposedly true non-fiction stories, the exposés, the ads, even the letters to the editor.

I especially loved the killer weasels story, which is dark, noirish and as amazingly wild and cool as Wil Hulsey’s cover painting.

I was hooked. I started buying more and more men's adventure magazines through eBay and other sources. (I now have more than 5,000 issues, which I estimate to be nearly 90% of those that were published.)

To learn more about MAMs, I read what were the two most authoritative books about the genre at the time:

       ● IT’S A MAN’S WORLD: MEN’S ADVENTURE MAGAZINES, THE POSTWAR PULPS by Adam Parfrey; and

       ● MEN’S ADVENTURE MAGAZINES: IN POSTWAR AMERICA by Max Allan Collins and George Hagenauer (which features the awesome collection of magazines and original artwork owned by Rich Oberg).

I also started searching for blogs or websites dedicated to discussions of the men’s postwar pulp magazines.

I did find scattered posts about men’s adventure magazines on a number of blogs and websites.

I found men’s adventure magazine cover scans on various types of sites.

I also found blogs that focus on the history of related but different genres, like the earlier pulp fiction magazines that ran from the 1920s to the early 1950s and the men's “girlie” or bachelor magazines of the 1950s, 1960s and 1970s.

What I didn't find was what I really wanted – a site that focuses on the post-WWII men’s adventure magazines and the various aspects of the genre: the covers, the artists and writers, the pulp-fiction style stories and “true” non-fiction articles (which tend to severely bend the meaning of the word “true”), the vintage ads, and the other interesting and amusing things those magazines tell us about the men, women, history and culture of the ‘50s, ‘60s and ‘70s.

I couldn’t find any site like that. So, in 2009, I decided to create one myself. You’re reading it now: MensPulpMags.com.

Men's Adventure Library book seriesA couple years later, I created the Men’s Adventure Magazines Facebook Group, which now has thousands of members from around the world.

In 2012, I decided to put together a book collecting some of my favorite men’s adventure magazine stories.

It was published in January 2013 by New Texture Books and is available on Amazon.com or directly from me on eBay

Naturally, I titled it WEASELS RIPPED MY FLESH! (For an in-depth preview, go to the website for the book, www.WeaselsRipped.com.)

My co-editors on the WEASELS anthology were writer/publisher Wyatt Doyle, head of New Texture, and writer/musician Josh Alan Friedman, whose father Bruce Jay Friedman was an editor of men’s adventure magazines before he became a world-famous novelist, playwright and screenwriter.

That book includes the original MAN’S LIFE story about flesh-ripping weasels and many other wild stories by notable writers who once wrote for men’s adventure magazines, such as Bruce, Lawrence Block, Jane Dolinger, Harlan Ellison, Walter Kaylin, Ken Krippene, Robert Silverberg and Walter Wager.

There’s also an interview Josh did with Mario Puzo, author of THE GODFATHER, about his time as a writer and Associate Editor for men’s adventure magazines.

Our WEASELS RIPPED MY FLESH! anthology is illustrated with the covers and interior artwork that were used for the stories.

Its success has since led Wyatt Doyle and I to publish a series of books that feature classic men’s adventure magazine stories and artwork.

There are currently five books in the series, which we call the Men’s Adventure Library, and more coming.

Our most recent books are lushly illustrated in full color and available on Amazon worldwide.

We have many more planned in the years ahead.

So, thanks to Frank Zappa for getting me hooked on men’s adventure magazines.

And, Happy Mother’s Day to all of the various types of Mothers out there.

*     *     *     *     *     *     *     *     *     *

Comments? Corrections? Post them on the Weasels Ripped My Book Facebook Page, email them to me,
or join the
Men’s Adventure Magazines Facebook Group and post them there.

Related & recommended reading…

New Additions to the Men’s Adventure Library coming in 2017…

zz -  Coming soon KC & CUBA - rev5

Tuesday, May 2, 2017

Model/Actress Eva Lynd and Photographer Earl Leaf: Together Again…

Eva Lynd, photo by Earl Leaf (1957) 001 WM
Over the past few years, it’s been my great pleasure to have an ongoing correspondence with model and actress Eva Lynd.

I first became fascinated with Eva after learning that she was not only a popular pinup photo model in the 1950s and 1960s, but also a favorite model of Norm Eastman and Al Rossi, two of the top men’s adventure magazine artists.

On top of that, Eva appeared in many classic TV shows, several movies, and in some memorable print and TV ads. (She was the girl in the famous, award-winning “Girl in the Tube” Brylcreem commercial.)

After Eva and I became pen pals and virtual friends, she began sharing photographs from her personal collection with me.

Many of them were taken by top glamour girl photographers, such as Peter Basch, Wil Blanche, Herb Flatow, Leo Fuchs, Emil Herman, Morris Kaplan, Charles Kell, Lester Krauss, Earl Leaf, Ed Lettau and Jerry Yulesman.

Actress-Model Eva Lynd in 2015If you are old enough to have read men’s magazines in the 1950s and 1960s or if you collect them now, you’ve undoubtedly seen photos of beautiful models and actresses taken by those photographers, even if you don’t recognize their names.

Recently, Eva Lynd showed me a treasure trove of photos from her collection taken by Earl Leaf, one of the best-known celebrity and pinup photographers of the ‘50s and ‘60s.

Leaf started out as a globe-hopping photojournalist whose stories and photos appeared in both magazines (like NATIONAL GEOGRAPHIC) and newspapers.

One of his biggest news coups was being the only Western journalist to interview and take photos of Mao Zedong (previously spelled Mao Tse-tung) during the midst of the Sino-Japanese war in 1938.

After roaming the world, Leaf traveled the US, spending most of his time in either New York City or California in the ‘50s.

During that decade, he made a splash by taking photos of many up-and-coming actors, actresses, musicians and bands who he often helped publicize by writing magazine and newspaper stories to go with his pics.

By the late ‘50s he was also known for taking photos of many the most famous celebrities in the country.

In addition to taking posed, portrait shots, he snapped many informal shots of celebrities at parties and events or on the street.

In fact, Leaf is sometimes described as a paparazzi photographer.

Earl Leaf the Beatnik Photographer, SFGate bdHowever, unlike most modern paparazzi, Leaf was an acquaintance or friend of many of his subjects.

He spent time with them, went to some of the same parties they went to – and had them come to his parties.

Earl did indeed like to party and became something of a celebrity himself. His beard, funny outfits and hip demeanor and lifestyle earned him the nickname “The Beatnik Photographer.”

When Leaf died in 1980, he left behind thousands of photographs and negatives that were eventually purchased by Michael Ochs (brother of the late, great singer/songwriter Phil Ochs).

They can now be viewed online as part of the Michael Ochs Archive section of the Getty Images site.

Marilyn Monroe & Earl Leaf 1956 partyIf you browse those photos, or the set in an article about Leaf on a recent San Francisco Chronicle article about him, you’ll see that he took photographs of an amazing number of famous people.

As summed up by the San Francisco Chronicle story (which the photo of him at left is taken from): “Marilyn Monroe. Clint Eastwood. Grace Kelly. Elvis. Ricky Nelson. The Beach Boys. Natalie Wood. Jayne Mansfield. Debbie Reynolds. Frank Sinatra. The list goes on and on.”

In the realm of movie celebrities, Leaf is probably best known for being one of the first professional photographers to start taking and selling photos of Marilyn Monroe.

He became friends with Marilyn in 1950, before she was a star, and shot photos of her intermittently from then until her sad last year in 1962. Some of Leaf’s most intimate photos of her are posted on the “Immortal Marilyn” website and collected in the book MARILYN MONROE: FROM BEGINNING TO END.

The leggy shot he took of a young Marilyn outdoors in 1950, shown below, reminds me of some of the outdoor shots he took of Eva Lynd that she has recently shown me.

The Michael Ochs Archive also includes photos of Earl and Marilyn at a party together in 1956.

They remind me of party shots Eva has shared with me.

In the rock music realm, Leaf had an especially close relationship with The Beach Boys.

He shot many of the most familiar photos of them for stories he wrote for Capital Records’ THE TEEN SET magazine and other publications (like those on the cover of TEEN SET, Vol. 1 shown below), went on their first European tour with them in 1964 and essentially became their main publicist.

The band even included a snippet from an interview Leaf did with them for TEEN SET on their 1965 album THE BEACH BOYS TODAY, under the title “Bull Session with the ‘Big Daddy’”.

Marilyn Monroe photo by Earl Leaf (1950)Earl Leag proofsheet, Marilyn Monroe 1956THE TEEN SET Vol 1 1964 - photos & stories by Earl Leaf

Eva Lynd was a budding young starlet and model when she met Earl Leaf in New York in 1956. Born Eva Inga Margareta von Fielitz in Sweden, she moved to New York City in 1950 with her mother, Margareta von Fielitz, a European Countess and concert singer.

By her late teens, Eva was winning beauty pageants and attracting attention as a model.

Between 1956 and 1958, she made numerous appearances in skits on TV variety shows like the STEVE ALLEN SHOW, ERNIE KOVAKS SHOW, JONATHAN WINTERS SHOW, GARRY MOORE SHOW and PERRY COMO SHOW. She also appeared in live specials like The Producer’s Showcase FESTIVAL OF MAGIC episode hosted by Ernie Kovacs in May 1957.

Eva Lynd, Miss Steel Pier 001 - alt2Eva Lynd as Miss Sweden on Garry Moore show 1957Eva Lynd in FESTIVAL OF MAGIC, 1957

Eva thinks she may have first met Earl Leaf in 1956, when he took some photographs of her at that year’s Art Students League Ball, a big annual costume party for students of that renowned art school in New York City, many of whom became top illustrators.

Among ASL students of the ‘50s and ‘60s were many of the top illustrators who worked for men’s adventure magazines, such as James Bama, Stan Borack, Mel Crair, Ed Emshwiller, Basil Gogos, Roger Kastel, Mort Kunstler, Mike Ludlow, Robert Maguire, Lou Marchetti, Frank McCarthy, Rudy Nappi and Robert Schulz.

One of those artists, Mike Ludlow – who became famed for his pinup art – used Eva as his model for the Marilyn Monroe lookalike in the illustration he painted for a story published in the September 7, 1957 issue of the SATURDAY EVENING POST.

Another, James Bama, used Eva as a model that same year for an illustration used in STAG, August 1957. Jim Bama (who I had the honor of interviewing for this blog) also connects a dot to another notable person Eva knew.

Eva Lynd by Mike Ludlow SAT POST, Sept 7, 1957 bdSTAG, Aug 1957 - James Bama artwork, Eva Lynd model WM2

Among James Bama’s best-known and beloved paintings are the iconic Doc Savage cover paintings he did for the Bantam paperback series, using famed male model Steve Holland as his model for Doc.

And, as I’ve discussed in previous posts here, Eva Lynd often modeled with Steve Holland for men’s adventure magazine cover and interior illustrations painted by both artists Al Rossi and Norm Eastman.

Some of the cool things Eva has shared with me are reference photos Al Rossi took of her and Steve Holland for his men’s adventure magazine and paperback cover artwork. One example is shown below. (You can see more by clicking the “RELATED POSTS” links at the bottom of this page.)

Al Rossi photo of Eva Lynd & Steve Holland 1964 WMACTION FOR MEN, Sept 1964, Al Rossi art, Steve Holland & Eva Lynd models

Although Eva can’t recall which artists she may have met at the 1956 Art Students League Ball, the record shows she did meet photographer Earl Leaf.

An article about the ball in the October 1956 issue of the men’s bachelor magazine NUGGET includes a color photo of Eva looking smashing in a princess costume at age 18. The credits say that one was taken by another photographer, not by Earl.

But Leaf did take the black-and-white photos used in the NUGGET article. He also took some black-and-white photos of Eva that night that were never published – until now.

NUGGET, Oct 1956 - Art Students League BallNUGGET, Oct 1956 - Earl Leaf B&W photos

Leaf gave Eva prints of two photos he took of her. She has kept them all these years and scanned copies that she shared with me.

They’re shown here, for the first time anywhere, as are many other photos in this post that come from Eva’s personal collection.

Eva Lynd at 1956 Art Students League, photo by Earl Leaf 01Eva Lynd at 1956 Art Students League, photo by Earl Leaf 02

Not long after the Art Students League Ball, Earl Leaf scheduled a photo session with Eva and took a classic set of glamour girl photos of her wearing a black stole and tiara.

In the late ‘50s, Leaf sold photos from that session to a number of magazines, including the pinup mags FOLLIES, GALA, MALE POINT OF VIEW, PICTURE DIGEST and WHIRL. A decade later they were still being used. In 1969, they appeared in the men’s adventure magazine MAN'S COMBAT.

In 1958, Eva Lynd moved to Los Angeles. Once there she began getting parts in a number of Hollywood-produced TV shows, such as THE THIN MAN, PETER GUNN, THE TEXAN, BOURBON STREET BEAT and DESILU PLAYHOUSE.

Eva Lynd, photo by Earl Leaf c. 1957 WMEva Lynd, photo by Earl Leaf c. 1957 02 WMEva Lynd in WHIRL, April 1959 - Earl Leaf photos

That year, she also linked up with Earl Leaf again, who had also moved to California and was living in a house in the Hollywood Hills.

Like Marilyn Monroe and most aspiring young actresses at the time, Eva modeled for glamour girl-style photos published in the various types of men’s pinup, bachelor and adventure magazines that were sold on newsstands.

Vintage pinup photos in that era were sexy but comparatively chaste – as opposed to the porn-style nude photos that appeared in “under-the-counter” magazines in the ‘50s and early ‘60s and in almost all men’s magazines starting in the late ‘60s after various court decisions shot down longstanding censorship laws and postal regulations.

For example, the photos Earl Leaf took of Eva Lynd wearing a black stole and tiara are clearly sexy, but not salacious. So are the many shots he took of her in various poses in his house in the Hollywood Hills.

Eva Lynd, photo by Earl Leaf c. 1958 04MAN'S COMBAT, Aug 1969 - Eva Lynd photos by Earl Leaf REV2

In 1958, 1959 and 1960, Earl Leaf took dozens of photos of Eva Lynd, in his home studio and various places in his house.

Leaf also took many photos of Eva outside. I’m especially fond of the ones that show off her beautiful long legs, but neither Eva nor I have been able to find out what magazines they were published in.

It’s possible that Leaf took some of his indoor and outdoor portrait shots of Eva just as portfolio shots she could use when looking for acting jobs, something he did for a number of aspiring actors and actresses.

Earl gave 8”x10” prints of some of the photos he took of her. He also gave her a bunch of proof sheets. Since he shot them with a camera that used 2”x2” film, when Eva scanned the proofs at a high resolution I was able to make amazingly good quality images from them.

Eva Lynd photo by Earl Leaf c1959 WM1Eva Lynd photo by Earl Leaf c1959 WM3Eva Lynd photo by Earl Leaf c1959 WM2a

As he did with Marilyn Monroe, Leaf took a number of informal shots of Eva Lynd at parties attended by various celebrities.

Eva shared some of those party shots with me, too.

After I looked through all of the photos she’d sent me, I asked Eva to tell me some of the things she remembered most about Earl Leaf.

Here’s some of what she told me...

“I spent quite a bit of time with Earl after I came to Los Angeles in 1958,” Eva said. “I can’t quite remember how it happened. However, we instantly bonded. He became a great friend, and he took tons of pictures of me. He photographed me both inside and outside of his house and I would pose for him in various outfits. He lived in an interesting house in the Hollywood Hills. The entrance to his property was hard to find, as it was covered with greenery, and it always felt like I was entering a secret, mysterious place when I visited him.”

Eva Lynd photo by Earl Leaf c1959 WM6Eva Lynd photo by Earl Leaf c1959 WM4Eva Lynd photo by Earl Leaf c1959 WM5

“Often, Earl would take me to the top of the Hollywood hills and shoot me outside,” Eva told me. “I also remember he had a neat cat, which allowed herself to be photographed with me in one set of photos. Actually, she didn’t have a chance to complain. He also took me to a lot of parties and photographed me with celebrities like Charlie Chaplin Jr, actor Steve Cochran, musician Ray Anthony and Hollywood gossip columnist Sidney Skolsky. At one party, I met James Mason, who was a favorite actor of mine, and luckily, he turned out to be very nice.”

Eva Lynd c1959, photo by Earl Leaf WM6Charlie Chaplin Jr & Eva Lynd, c1959, Earl Leaf photoActor James Mason & wife & Eva Lynd (r) 1959

“One costume party that Earl took me to was a lot of fun,” Eva remembered. “I was wearing a fishnet, with not much else, and he was dressed as the captain of a fishing boat. He decided to pose himself in some of those photos. Photos of me, in fishnet, appeared in several Swedish newspapers, and I don’t know where else.”

Eva Lynd fishnet photo by Earl Leaf, 1959Earl Leaf & Eva Lynd at costume party, c. 1959Earl Leaf & Eva Lynd at costume party, c. 1959 02

“Earl also photographed me in a bathing suit, at the pool of the Roosevelt Hotel, which became a postcard for publicity,” Eva recalled. “Considering that Earl Leaf also photographed Marilyn Monroe and a lot of other famous people, I felt privileged to have had him do so much with me, and to have had him as a friend. He was a delight to be around. And, he was indeed one of my all-time most favorite photographers.”

Eva Lynd - Hollywood Roosevelt Hotel (1959) - front WM2Eva Lynd - Hollywood Roosevelt Hotel (1959) - back WM2

“Earl, besides being a photographer, was also a very good artist,” Eva said. “I spent several sessions with him teaching me how to use oil on canvas. One day, just for fun, I drew a cartoon of him with a lot of models around him, and he liked it so much that he used it for his Christmas card. He made me do another for the next year. Life happened, and I went back to New York City in the early 1960s. When I came back to Los Angeles years later, it took me a while to get around to getting in touch with Earl again. When I finally did, I found out that he had died. It is one of the sorrows of my life that I waited so long, because I never had a chance to tell him how much he had meant to me.”

Image39Eva Lynd & Earl Leaf, 1959

Coming soon: more posts about Eva Lynd. Thanks for all the photos and quotes, Eva!

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2017 Eva Lynd Pinup Calendar