Our books on Amazon: the MEN'S ADVENTURE LIBRARY series...

Our books on Amazon: the MEN'S ADVENTURE LIBRARY series...
Click the image above for more information about our anthologies of men's adventure magazine stories and artwork

Monday, April 28, 2014

Bill Edwards artwork from the David O’Dell collection, sleaze paperbacks and the Air Force Art Program...

One of the great things about the Facebook group associated with this site is that it has attracted many other knowledgeable fans and collectors of mid-Twentieth Century pulp art and pulp fiction.

Among them is David O’Dell, a California-based graphic designer who has worked for a major high tech firm for over thirty years.

David is also an avid collector of vintage illustration art.

He owns a particularly impressive set of original interior illustrations done for men’s magazines by a fascinating artist named Bill Edwards.

And, recently, David has been wowing members if the Men’s Adventure Magazines Facebook group by posting a series of photos of the Edwards illos in his collection.

Most were used in issues of the popular men’s soft-core porn magazines published from the mid-1950s to the early 1970s by Knight Publishing Corp., including ADAM, KNIGHT and the ADAM BEDSIDE READER.

Edwards’ illustrations for those magazines look very much like interior illos used in men’s pulp adventure magazines.

However, some are a bit racier and have more explicit T&A than most men’s pulp mag illustrations created prior to the 1970s.

Consider, for example, the example at the top of this post and those below…


As cool as Edwards’ interior illustrations are — and I think they a very cool — he’s probably best known for the titillating cover paintings he did for “sleaze paperbacks” in the 1950s, 1960s and 1970s.

As noted in a bio written by L. Truman Douglas for the great online fanzine EI, Edwards did hundreds of such covers and they are highly popular among fans of that genre.

Most were for done for books published by Saber Books, Saber Tropic, Fabian and Vega — companies owned by Sanford Aday, a pioneering porn publishers who was ruthlessly hounded by state and federal authorities for violating the prudish obscenity laws of the ‘50s and ‘60s.

After looking at Edward’s paperback covers and interior illustrations, you might be surprised to find out about some of the other facets of his colorful life.

He was born in New Jersey in 1918, and showed a talent for art as a child. In his teenage years, he spent summers working on ranches in Wyoming and sketching horses and cattle in his spare time.

He eventually got good enough at being a cowboy to begin riding broncos and Brahma bulls in the Western rodeo circuit.

After a series of broken bones put an end to his rodeo career, he moved to New York, where he worked his way through art school at the Art Students League. He paid his way by working as a model for the Conover Agency, posing for magazine and catalog artwork and photos.

Around 1940, Edwards’ manly good looks caught the attention of a talent agent who brought him to Hollywood.

The biography of Edwards on IMDB.com notes that he appeared in dozens of movies and TV shows from the early 1940s to the mid-1980s, though he never quite succeeded in becoming a full time or famous actor.

It says:         

Despite his complete lack of experience, Warner Brothers saw promise in Bill's blond-haired, blue-eyed good looks and solid-oak build and placed him under contract in 1942. For the first two years he appeared in a number of unbilled parts as reporter and military types in such films as Murder in the Big House (1942), Yankee Doodle Dandy (1942), Escape from Crime (1942), Air Force (1943) and Princess O'Rourke (1943).

Unable to rise above these small parts, he moved to Paramount where he earned his first featured part as Forrest Noble, the mayor's son who is engaged to Ella Raines in the Preston Sturges classic Hail the Conquering Hero (1944). He then went on play Diana Lynn's hunky love interest in Our Hearts Were Young and Gay (1944) and its sequel Our Hearts Were Growing Up (1946) but couldn't do better than being billed sixth and eighth in the films Miss Susie Slagle's (1946) with Veronica Lake and The Virginian (1946) with Joel McCrea, respectively.

     Freelancing by 1947, Bill found himself cast in primarily "Poverty Row" programmers. He was billed third behind Jane Withers and Robert Lowery in the Pine Thomas production Danger Street (1947) and made use of his cowboy-raised upbringing with the westerns, again third billed in Home in San Antone (1949) starring Roy Acuff, Panorama from a Moving Train on White Pass & Yukon Railway, Alaska (1905) starring Kirby Grant and Border Outlaws (1950) starring cowboy singer Spade Cooley.

He received his one and only star status in the western The Fighting Stallion (1950) for the Jack Schwarz Productions.

     It would have seemed Bill could have continued on as a cowboy star but his acting proved wooden and following a few more years in films and TV guest spots ("Bonanza," "Dragnet," etc.), abandoned his career and returned to his first joy -- art.

     He later became a familiar name in California as an exhibited oil and acrylic painter of the Old West and as an illustrator. A well-known scuba diver and instructor in the Southern California area, he at one time owned a diving and scuba gear shop. Bill also returned to occasional acting in the 1970s and 1980s, notably the film

Tora! Tora! Tora! (1970) and the TV movies Pearl (1978) and Gidget's Summer Reunion (1985).

     Long married to Hazel Allen in 1946, the couple had one daughter, Linda. They divorced in the mid 1970s after nearly 30 years of marriage and Bill married Beryl Hunter in the ensuing years. Following their divorce, he remarried first wife Hazel, who survived him. Bill suffered from a disease that attacked his muscular system in his final years and he died of pneumonia in Southern California in 1999 at age 81.

Along the way in his art career, Edwards was given the prestigious honor of being chosen as one of the artists who provided paintings for the US Air Force Art Program.

Sixteen of the paintings he created for that program are still part of the official United States Air Force Art Collection and can be viewed online.

Here are a few of them…

Clearly, Bill Edwards was an intriguing man. Thanks to David O’Dell for helping to make me more aware of him and for allowing me to share the Edwards artwork he owns here.

*     *     *     *     *     *     *     *     *     *

Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Related reading: vintage “sleaze paperbacks” featuring Bill Edwards cover paintings…

Sunday, April 20, 2014

Happy Easter men’s adventure style…

Happy Easter from MensPulpMags.com



*     *     *     *     *     *     *     *     *     *

Comments? Post them on the Men’s Adventure Magazines Facebook Group.

Tuesday, April 15, 2014

Connecting dots between model Eva Lynd, artist Al Rossi, mystery writers Manning Lee Stokes and Carter Brown – and the Rocky Horror Show…

About a year ago, after I did some initial posts here about Eva Lynd, the legendary artists’ model, pinup glamour girl and actress, I got a surprise email from Eva herself.

That led to a wonderful ongoing correspondence that expanded to include my friend Rich Oberg, the men’s pulp art collector, and Wyatt Doyle, my co-editor on two anthologies of classic men’s pulp adventure magazine stories.

Almost every week, the four of us discuss or discover illustrations by Norm Eastman, Al Rossi or some other artist Eva modeled for in the 1950s and 1960s, or glamour photos of her featured on magazine covers or inside spreads.

Recently, we worked together to solve the mystery of two artist reference photos Eva shared with us.

Eva didn’t know what artwork they’d been used for. And, she no longer remembered if the photos had been given to her by Eastman or Rossi, though she was pretty sure it was one of them.

Norm and Al used Eva regularly and both took their own reference photos of models (as did most illustration artists who provided artwork to the men’s pulp adventure mags and pulp paperbacks).

One of the photos Eva sent us is a priceless piece of illustration art history. It shows her with Steve Holland, the favorite male model of Eastman, Rossi and just about every other top men’s adventure and paperback cover artist of the Fifties and Sixties.

Holland is holding a pistol to Eva’s head and looking up at something. Eva is wearing an Asian-looking dress and glancing back apprehensively at the gun.

When Eva emailed a scan of the photo to us she wrote:

“This is one of the photos Eastman or Rossi took of me and Steve Holland. I don’t know where the rendition of it got published. If you do, let me know. It does not appear to be like Norm’s usual bondage and torture stuff.”

None of us recognized it off the bat, but we began keeping an eye out for an illo that fit. Eventually, while leafing through a copy of the September 1964 issue of ACTION FOR MEN, I saw one that solved the mystery.

There, in the lower left hand part of an illustration Al Rossi created for a “Special Book Bonus” was an image that was clearly based on the photo of Steve and Eva.

The story, by Manning Lee Stokes, is titled “STRANGE SECRET OF KOREA’S NIGHTTIME NYMPH.” A note at the bottom of the page says it was excerpted from Stokes’ novel UNDER COVER OF NIGHT, which was first published in 1958.

Stokes was a prolific author of pulp fiction novels, which he wrote under his own name and at least nine pseudonyms. Most books credited to his real name are mysteries published in the 1940s and 1950s. In the Fifties, he also wrote “sleaze” paperbacks and Westerns under the name Kermit Welles and romance novels using the female pen name Bernice Ludwell

In the Sixties and up until his death in 1976, Stokes wrote dozens of novels under house names and pseudonyms, including nearly twenty of the Nick Carter spy novels, eight of the Richard Blade heroic fantasy books and eleven novels in The Aquanauts action/adventure series, under the name Ken Stanton.

When I sent Eva a scan of the Al Rossi’s illustration for the Manning Lee Stokes “book bonus” in ACTION FOR MEN it led to several revelations. It confirmed that the photo was taken by Al Rossi and helped Eva remember that the other mystery photo she’d sent us was also taken by him.

In addition, since the face of the Asian-looking woman Rossi painted in that illo doesn’t quite look like Eva, it also confirmed something else we suspected. Since Rossi sometimes changed a model’s face and hair in his paintings, some of the magazine and paperback cover illustrations he did with women who don’t look like Eva may in fact be her.

Eva told us:

“This is very exciting. I would not necessarily have thought that this was me if I didn’t have the photo. Of course, Al didn’t give me copies of all the pictures he took of me, only some. But this one certainly proves that some of the women in Rossi illustrations that I am not sure about could very well be me.

In this one, with Steve and the gun, there is no question about it. The other woman in the background is me, too. Al used me in various poses and setups at each photo session. In fact, in the Al Rossi illustration you posted a while ago [from KEN FOR MEN, May 1957], I was the model for all five women, even though only a couple of them look like me.” 

Eva recently solved a second reference photo mystery herself. She discovered the illustration it was used for while browsing eBay to find men’s adventure magazines that contained artwork by Al Rossi and Norm Eastman.

As soon as she found it, she sent me a link to the listing with a note:

“Hi Bob: Check this out. I think I was the model for the ‘naked blonde’ in this one. It is by Al Rossi and has the girl in the same pose as one of the photos I sent to you.”

Sure enough, there it was in another issue of ACTION FOR MEN, from January 1966.

The illustration shows a woman doing a striptease dance on top of a wooden crate, very similar to Eva’s dancing/balancing pose in Rossi’s reference photo.

It was used for a “Book Bonus” thriller by Carter Brown, published in the magazine under the title “NAKED BLONDE OF STRIPPER ALLEY.”

As noted on the great Killer Covers site (one of my faves), Carter Brown’s real name was Alan Geoffrey Yates. He was born in England in 1923, moved to Australia in 1948 and began his career as a writer in 1951. During the 1950s, 1960s and 1970s, Brown was one of the best-selling mystery novelists in the world. He’s one of Australia’s most famous writers of any kind.

Brown was was even more prolific than Manning Lee Stokes. He churned out more than 300 books before his death in 1985. Most are mystery novels in one of his several long-running series that featured male detectives and lawmen, including Larry Baker, Danny Boyd, Paul Donavan, Rick Holman, Andy Kane, Randy Roberts and Al Wheeler.

The story in the January 1966 issue of ACTION FOR MEN, with the Al Rossi illo Eva Lynd modeled for, was taken from his novel THE BUMP AND GRIND MURDERS. It was first published by Signet in 1964 with a front-and-back wraparound cover painting by the great Robert McGinnis, who did covers for many of Carter Brown’s pulp paperbacks.

THE BUMP AND GRIND MURDERS was one of Brown’s series of novels featured the blonde bombshell female private investigator, Mavis Seidlitz. In it, Mavis goes undercover as a stripper.

Speaking of which, one of Carter Brown’s best known novels is the THE STRIPPER. It was published in 1961, with another memorable McGinnis cover painting, and is in his series of novels about California homicide investigator Al Wheeler.

Somewhat incredibly, it was turned into a musical in 1982 by members of the team that created THE ROCKY HORROR SHOW. If you’re a ROCKY fan like me, be sure to check out the songs from their version of THE STRIPPER on the RockyMusic.org website. The tracks from the original vinyl soundtrack LP have all been converted into streaming sound files you can listen to online.

Coming up in future posts, a look at some more priceless pop culture treasures from Eva Lynd’s collection.

In the meantime, if you’d like to read one of the men’s “sweat magazines” that has a classic Norm Eastman cover painting with characters based on Eva Lynd and Steve Holland, click the link or image below to download a complete copy of the October 1968 issue of NEW MAN magazine in the MensPulpMags.com virtual newsstand.

Click here or the image below to download a complete PDF copy of:

NEW MAN magazine, October 1968

FEATURING: A cover painting by the great Norm Eastman, using model Eva Lynd as the valiant nurse and Steve Holland as the wounded American soldier; a “SIZZLING SEX AND SPY” story by Jim McDonald; a gonzo sexual “self test”; cheesecake photos of blue movie actress VERA NOVAK; a classic bondage and torture tale, “STRIPPED VIRGINS FOR SATAN’S ROLL CALL OF THE DAMNED” (with artwork by John Duillo); and, wild sex exposés about “TWISTED TEEN SEX” and “SUBURBAN ORGY CULTS.” Plus lots of interesting vintage ads and other pulpy stuff.

NEW MAN, October 1968 - Thumbnails