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Saturday, June 15, 2013

Robert A. Maguire’s “Leopard Woman” – another pulp art treasure from SPORT LIFE magazine...

(Post updated June 15, 2013 with additional text and artwork.)

Robert A. Maguire, often credited as R.A. Maguire, was among the best and most famous of many talented illustration artists who did artwork for men’s magazines and pulp paperback novels in the 1950s, 1960s and 1970s.

He’s primarily known for his noir-style paperback book covers featuring sexy DAMES, DOLLS AND GUN MOLLS (the apt title that artist and author Jim Silke chose for his great book about Maguire’s art).

As noted in the bio on the American Art Archives website, Maguire also painted greeting card art at one point in his long career, as well as a limited number of movie posters, album covers and magazine illustrations.

The American Art Archives site is one of the best resources online for fans of vintage illustration.

It’s maintained by illustration maven and writer Thomas Clement and his wife Christiane, whose eBay store is one of the best sources of collectible issues of vintage men’s adventure magazines.

In his bio of Maguire, Clement notes:

“Maguire’s paperback covers sold books far more than the books’ authors or titles. His ability to capture a sexy girl, often holding a gun, a knife, or even a voodoo doll, is instantly obvious.

His women were always intriguing, whether the world was crashing around them or whether they were in decisive control. Each is glamour-page gorgeous.

But talent for curvy dames was bolstered by a knack for dramatic action, bold and exotic colors, and striking throws of hues and shadows; these enticed millions of readers to do what they were supposed to do: buy the books.

Maguire often set his women against some muted slab-gray background or low-key pattern of jagged screens, but just as often he stood them out against deathly greens, bloody reds, or morguish blues.

Of course, basic black also served him well, as for what has become a signature piece, Black Opium.”

Maguire didn’t do a lot of artwork for men’s pulp adventure magazines. That’s why I always consider it a real find when I run across a Robert Maguire cover painting or interior illustration in an issue.

One of my favorites is an interior illo Maguire did for the April 1954 issue of SPORT LIFE. (This is the same issue that has another rare pulp art treasure featured on this blog — the illustrations Mort Kunstler created for a reprint of “HIS MAJESTY O’KEEFE.”)

Maguire’s eye-grabbing illustration for SPORT LIFE was printed as a duotone in shades of red and gray.

It’s for the story “LEOPARD WOMAN” by Richard Hathcock, a little known writer who did a few stories for men’s magazines.

In the ‘50s and ‘60s, stories about “Leopard Women” and “Leopard Men” were quite popular in men’s pulp mags. I’ve featured several here in previous posts, including the thriller “DEATH ORGY OF THE LEOPARD WOMEN,” the fact-based but sensationalized story “LEOPARD MEN! AFRICA’S GREATEST TERROR” and the gory yarn “EATEN ALIVE BY LEOPARD MEN.”

Hathcock’s story is less bloody-minded than those. It’s an exotic adventure tale set in the African city of Omduran in Sudan.

During a visit to the city, the white guy who is the narrator of the story hears about a local woman who can turn into “a slavering, yellow-eyed leopard.”

One night, he gets a local guide to take him to see her. In a mud-walled building at the end of a back alley, he witnesses the amazing transformation.

A gorgeous Galla woman — “completely naked, except for a leopard skin wound about her slim waist” — comes out and begins dancing to the sound of hypnotic drums and bamboo flutes. Our appreciative (but obviously racist) narrator tells us:

“She was one of the most beautiful women I have ever seen in Africa. Her skin possessed a sheen not often found among Negroes. She was tall and graceful, with high, full breasts, and long, wonderfully molded legs. Her eyes were startling. They were oblique, and flecked with yellow. In the lamplight of that room they gleamed strangely.

Suddenly, the woman tumbles to the floor and postures on all fours, “the nipples of her breasts raking the dust.”

What happens next? Well, you can read it for yourself by clicking this link to download the entire story in PDF format.

By the way, the cover painting for the April 1954 issue of Sport Life magazine was done by Gail Phillips. I haven’t been able to find much information about Phillips online or in reference books. So, you know of a good bio for him, please shoot me an email or drop by the Men’s Adventure Magazines Facebook group and let me know where it is. 

I do know he Phillips some paperback covers, such as the cover for BEHIND THE CRIMSON BLIND (1952), a novel written by the prolific detective story writer John Dickson Carr under his pen name Carter Dickson.

He also did the cover painting for the Pocket Books edition of the Roy Chanslor’s Western novel JOHNNY GUITAR, which was made into the campy, must-see Western flick of the same name starring Joan Crawford, Sterling Hayden, Mercedes McCambridge, Scott Brady, Ernest Borgnine, Ward Bond and John Carradine.

Phillips did a limited amount of illustration work or men’s magazines, mostly for ARGOSY magazine in the mid-1940s. So his cover painting for SPORT LIFE seems to be another rare pulp gem from that issue.

SPORT LIFE itself is a relative rarity in the realm of men’s pulp adventure magazines. It started out in the late 1940s as a sports fan magazine that focused on baseball, basketball, football and other American team sports.

Around 1954, the format was changed to a men’s pulp adventure format that had a heavy emphasis on sensationalized, often ludicrous stories of animals attacking humans (like the killer mountain goat example below) and obliviously cruel articles about manly hunters slaughtering various kinds of large and small animals.

The April 1954 issue of SPORT LIFE with the Maguire illo was published by Official Magazine Corp. 

Official was one of the companies owned by Martin Goodman, founder of the Magazine Management/Atlas/Diamond/Marvel publishing empire. Earlier and later issues of SPORT LIFE were published by other Goodman subsidiaries.

The men’s pulp/hunting mag version of SPORT LIFE was published quarterly from 1954 to 1957. During that time, only 15 issues were published.

That’s why copies are now a bit harder to find than issues of the longer-lasting men’s pulp mags. So, if you’re a collector, snag ‘em when you can (if I don’t get them first).

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Related reading: cool books by Jim Silke

Monday, June 3, 2013

RAGE magazine, January 1963, featuring a whip-mad sheik, a Beatnik brothel, man-starved nymphos, and more…

RAGE is one of my favorite low-budget men’s pulp magazines, though I have always been a bit puzzled by its name.

Was it supposed to appeal to some subset of guys who were really angry?

I don’t know.

However, the editor’s note that introduces the very first issue (December 1956) does express some manly grumpiness about the state of men’s magazines. It even sounds slightly angry.

It says:

     This is the first issue of RAGE, the best damned men’s magazine in the country. Here’s why we know so: In a day and age when men’s magazines are pussyfooting over one hot subject after another, RAGE plans to call a spade a spade, a crook a crook, a bum a bum. We’re pretty sure that’s what you want in a magazine for men-we know it's what we want. If you think the way we do, stick with us.

I guess THE BEST DAMNED MEN’S MAGAZINE IN THE COUNTRY was a bit too long for a name. And, RAGE does at least seem better than GRUMPY or SLIGHTLY ANGRY.

Initially, the full name shown on covers of this no-pussyfooting periodical was RAGE FOR MEN.

It was one of several men’s adventure magazines published by the pioneering comics and magazine publisher Everett M. “Busy” Arnold. Others included GUSTO (one of other personal favorites), MAN’S PERIL and WILD.

RAGE FOR MEN was published bimonthly by Arnold’s flagship company Arnold Magazines, Inc. from December 1956 to February 1958.
After a year-and-a-half hiatus, Arnold resurrected the magazine in September 1960 with the shorter title RAGE on the cover.

At that point, it was subtitled “THE MAGAZINE FOR REAL MEN” — making it one of a number of magazines that were meant for “real men” who wanted “real” adventure stories back in the 1950s and 1960s. (As opposed to those fashion-conscious girly men who wanted to read candy-ass, egghead fiction stories like those published in magazines like PLAYBOY, ya know?)

The second series of RAGE magazine was published bimonthly (with a few gaps) until July 1964 by Natlus, Inc., another company owned by Busy Arnold. For some reason the last few issues reverted to using the title RAGE FOR MEN on the cover.

Throughout both runs the content of RAGE/RAGE FOR MEN was the typical mix common to most vintage men’s adventure mags: pulpy, over-the-top action and adventure yarns, exposés and sexposés, “true crime” stories, cheesecake photo spreads, sexist cartoons — and some very cool, but generally uncredited, cover paintings and interior artwork.

For example, the painting used on the cover of  the January 1963 issue is a classic, well-executed “sweat magazine” bondage-and-torture scene.

It shows a chubby, demonic-looking Arab sheik getting ready to use a whip on a busty, barely-clothed redhead as two henchmen look on and several other hapless, bound damsels cower in the background.

There’s no artist credit for the cover painting and no visible signature. But it looks like a John Duillo painting to me. When I asked my friend Rich Oberg, the world’s foremost collector of and authority on men’s adventure magazine art, he agreed.

The cover painting was also used inside, as an interior illo. It goes with the story “THE THOUSAND SEX-SLAVES OF THE WHIP-MAD SHEIK,” one of a number of outré gems in the January 1963 issue of RAGE.

On the contents page, that story is listed in the so-called “True Adventure” section, along with another “true” tale (nudge, nudge, wink, wink) about the “TORRID TEMPTRESS OF THE KOREAN WAR.”

The illustration for this spicy Korean War war story is signed “L.R. Summers,” an alternate name used by Leo Summers (full name Leo Ramon Summers). He is probably best known for his superb science fiction pulp magazine artwork, but he also did illustrations for men’s magazines.

Several other wild stories are included in a section of this issue of RAGE that’s dubbed “True Experiences.” This is also a section where the word true means something other than, er, true.

The stories listed under the “True Experiences” heading include two awesomely gonzo yarns: “I WAS TRAPPED IN A BEATNIK BROTHEL!” and “THE BIZARRE FLIGHT OF CAPT. BAYLISS AND HIS 29 MAN-STARVED NYMPHOS.”

There’s also the naughty nautical sexposé “LATEST VICE-TWIST: MATE SWAP CRUISES.” 

The “Exclusive Exposes” section of the magazine includes two articles of historical interest from a cultural perspective.

One is a graphic and grim article about executions, titled “THE SHOCKING TRUTH ABOUT DEATH IN THE ELECTRIC CHAIR.”

The second, titled “THE BIG BOOM IN BIG BOSOMS,” provides an intriguing overview of men’s fascination with well-endowed women, the tendency of many women to worry about their bust size, and an intriguing mention of “the new tricks of ‘mamaplasty,’ as plastic breast surgery is called by the medics.” Yep, that misspelled term refers to breast augmentation using implants, a procedure that was relatively new in 1963. Of course, “the medics” actually spell it mammoplasty or mammaplasty, since it involves the mammary glands. I’m not sure if “mamaplasty” was a mistake by the author, a typo or a Freudian slip.

There’s also a “Fiction Bonus” story titled “TO HELL WITH WOMEN!” (which turns out to be a humorous fiction yarn).

In the “Glamour Department,” there are tantalizing (but not explicit) photo spreads featuring three aspiring pinup models: Fione “Freckles” Clarence, Penny Russell and Laure Lord.

And, in the “Tongue in Cheek” section there’s a classic Bill Ward cartoon, featuring one of his trademark, giant-boobed bimbo babes. (Beneficiaries of the cartoon version of “mamaplasty.”)

As you can tell, the January 1963 issue of RAGE is far less serious-minded than something like the the BATTLE CRY issue featured in my previous post here.

But, like that issue of BATTLE CRY, I view it as a great example of a men’s pulp adventure magazines in its own way.

So, I’ve added a complete PDF copy of it in the MensPulpMags.com virtual newsstand. Just click on this link or the image of the cover and contents page below to download it.

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Comments? Corrections? Post them in the Men’s Adventure Magazines Facebook Group.