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Sunday, May 20, 2012

From Mafia hit men and farmers’ daughters to a 70-year-old “love captive.” (MALE magazine, May 1973 - Part 3)


For me, reading old men’s pulp mags is a like visual, literary and sociological treasure hunt.

If you’re interested in things like vintage pulp fiction and pulp illustration art, and mid-20th Century pop culture, sexual politics and history, you can find cultural gems in almost every vintage men’s adventure magazine published in the 1950s, 1960s and 1970s.

I featured some examples I found in the May 1973 issue of MALE in two previous posts. (Here’s a link to the first post and here’s a link to the second.)

And, there are actually several more notable “treasures” in that issue.

One is an article about a Mafia hit man written by Walter Kaylin, under his favorite pen name Roland Empey.

Walter is one of the grand masters of men’s adventure magazine stories. (And, I’m happy to say, he’s still alive and living in Old Lyme, Connecticut.)

From the late 1950s to the late-1970s, he wrote hundreds of men’s pulp mag stories.

Some were pure action/adventure yarns. Some were fact-based historical pieces (like his story about the ill-fated USS Indianapolis, the American Navy cruiser mentioned in the movie JAWS).

Many were masterful examples of the faux “true” stories that were a hallmark of the men’s adventure magazine genre.

Walter was a special favorite of the editors the Magazine Management men’s mags, such as FOR MEN ONLY, MALE, MAN’S WORLD, MEN and STAG.

The critically-acclaimed author, playwright and screenwriter Bruce Jay Friedman, who once edited several of those periodicals, named Kaylin one of his favorite writers in his memoir EVEN THE RHINOS WERE NYMPHOS. (By the way, I highly recommend that book and Friedman’s recently-published second memoir, LUCKY BRUCE. Both include some fascinating and funny anecdotes about Mag Management’s heydays.)

Mario Puzo also worked as an associate editor and writer at Magazine Management, before his breakthrough novel THE GODFATHER made him famous.

In an interview with writer Josh Alan Friedman (Bruce Jay’s son), Puzo said:

“He [Kaylin] was great!...He was outrageous, he just carried it off. He’d have this one guy killing a thousand other guys. Then they beat him into the ground, you think he’s dead, but he rises up again and kills another thousand guys.”

(That interview with Puzo, a rare men’s adventure story by Bruce Jay Friedman and a chapter from his RHINOS book, and two classic men’s adventure stories by Walter Kaylin will be included in WEASELS RIPPED MY FLESH – the forthcoming anthology I’m editing with Josh Alan and author/publisher Wyatt Doyle at New Texture publishing.)

Kaylin and Puzo both wrote many stories about the Mafia for Mag Management magazines.

Kaylin’s story in the May 1973 issue of MALE is titled “NIGHTMARE LIFE OF A MAFIA HIT MAN.”

Like many purportedly “true” stories in men’s adventure magazines, it’s actually pulp fiction.

However, one of the special talents Walter Kaylin had was to do enough research and add enough facts to make such stories seem real and believable, while simultaneously writing them in a gritty, attention-grabbing pulp fiction style.

For example, here are the opening lines of his “HIT MAN” story:

“In July of 1972, a dead man was found in the trunk of a 1963 Buick that had apparently been abandoned in a vacant lot of the Brownsville section of Brooklyn. The man’s hands and feet were tied. He’d been castrated and the results sealed into his mouth with bicycle tape. His chest, belly, head and the soles of his feet had been gone over with an acetylene torch…”

As a special treat for readers of this blog, I’m making a PDF copy of “NIGHTMARE LIFE OF A MAFIA HIT MAN” available as a free download. (Click this link to download it from my Payloadz store.)

Another story in the May 1973 issue of MALE that caught my eye is “SEX AND THE COUNTRY GIRL” by Keith Josephs (probably a pseudonym, though I don’t know who for).

Remember all those old, politically-incorrect, sexist, generally dumb jokes about “the farmer’s daughter”? Well, this article purports to reveal how “The Truth Is Wilder Than The Jokes.”

There are some other dumb but fun gems in the May 1973 issue of MALE, like the sexposé story “HOW WE PLAY THOSE NEW SENSUOUS BEDROOM GAMES.” It explains how “Swinging, swapping and group sex are ‘kid stuff’” to the latest breed of hip “sexual superstars.”

I also enjoyed reading the monthly “INSIDE FOR MEN” news roundup, which includes all kinds of intriguing little news bytes.

My favorite is kind of a mini-version of one of those “love slave” fantasy stories that are common in men’s adventure magazines. It says:

“MAN-HUNGRY GALS CAN GET PRETTY DESPERATE, AS THREE ESCAPED FEMALE CONS DEMONSTRATED BY MAKING A ‘LOVE CAPTIVE’ OF 74-YEAR-OLD JOHN TENSOR, OF ATLANTA. SAID TENSOR LATER: ‘IF IT HAD HAPPENED WHEN I WAS 70, I’D HAVE MADE THEM ALL HAPPY.’”

Although many of the cartoons in vintage men’s adventure magazines are groaners, there’s one in the May 1973 issue of MALE that made me laugh. It’s by Al Kaufman, a talented cartoonist whose work appeared in many top magazines, including THE SATURDAY EVENING POST, COLLIER’S, THE LADIES HOME JOURNAL, THIS WEEK, KING FEATURES SYNDICATE, THE NEW YORK TIMES, THE CHRISTIAN SCIENCE MONITOR, LOOK, and AMERICAN LEGION MAGAZINE.

Kaufman’s cartoon in MALE was a bit too racy for those mainstream publications. It shows a knight in armor talking to a damsel who’s being menaced by a fire-breathing dragon.

The knight tells the distressed damsel: “That’s the deal. If you want me to slay that goddam dragon, you'll have to put out.”

I also got a couple of chuckles from the 2-page spread of cartoons in this issue by an artist who went by the single name Slim. I admit most of them are in the groaner category. But I’m easily amused.

In the next post here I’ll feature cover scans of some of the recent additions to my magazine collection.

If you want a preview, check out my recent posts in the Men’s Adventure Magazines Facebook Group, where a lot of interesting people who like vintage pulp art and pulp fiction hang out.

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Click this link or the image above for more information about the 
forthcoming men’s adventure anthology WEASELS RIPPED MY FLESH.

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Saturday, May 12, 2012

MALE magazine, May 1973 - Part 2: from “Good Girl Art” to bad clothing...


There are cool, interesting or entertainingly wacky things in almost every men’s adventure magazine published in the 1950s, 1960s and 1970s.

As mentioned in my last post, the May 1973 issue of MALE magazine includes classic stories by pulp-writer-turned-historian Robert F. Dorr, artwork by the great Mort Kunstler and photos by Jack Kerouac’s friend Jerry Yulsman.

That issue also includes some other pop culture treasures.

One is a lush, orange-tinted “Good Girl Art” duotone by Charles Copeland, one of the masters of sexy GGA illustrations and paperback covers. (See Lynn Munroe’s excellent posts about Copeland for more info about him.)

Copeland’s illo goes with a story titled “THE NYMPHO NEXT DOOR.” That piece of “Daring Fiction” was written by the now largely-forgotten, but very prolific writer Alex Austin.

Austin penned hundreds of stories for men’s pulp and mystery magazines from the early 1950s to the mid-1970s. A high percentage appeared in the classic Atlas/Diamond men’s adventure periodicals published by Magazine Management, such as FOR MEN ONLY, MALE, MAN’S WORLD, MEN and STAG.

In the Fifties and Sixties, Austin also edited several short story anthologies for Mag Management’s paperback book subsidiary, Lion Library.

Notable examples are WIVES AND LOVERS (1956), which includes stories by John Steinbeck, Truman Capote, James Jones, D.H. Lawrence, William March and William Carlos Williams; GREAT TALES OF THE FAR WEST (1956), featuring stories by Herman Wouk, John Steinbeck, Aldous Huxley, William Saroyan and F. Scott Fitzgerald; and, GREAT TALES OF CITY DWELLERS (1963), with stories by Nelson Algren, William Saroyan, Thomas Wolfe, Conrad Aiken, Carson McCullers, F. Scott Fitzgerald and Budd Schulberg.

One Lion Library book edited by Austin — WOMEN WITHOUT MEN (1956) — features a cover painting by Stanley Borack, an artist who created many superb cover and interior illustrations for men’s adventure magazines. A few years ago, Borack’s original painting for WOMEN WITHOUT MEN was sold on the Heritage Auctions site.

Like Austin’s other Lion Library anthologies, WOMEN WITHOUT MEN includes short stories by a number of famous authors, including D. H. Lawrence, John Steinbeck, Conrad Aiken, James Joyce, Robert Lowry and Nelson Algren. But the blurb on the back cover shows that it wasn’t aimed at a highbrow audience: “...their nights are strange ones — sometimes lonely, often wild, and always crowded with the longing ache which drives them like unleashed animals into the jungles of darkest desire...”

In addition to editing anthologies, Austin wrote several novels. One was a book adaptation of the 1968 comic caper flick SALT AND PEPPER, which starred Sammy Davis Jr. and Peter Lawford.

Other Austin novels include THE BRIDE (1964), a racy bestseller, and THE BLUE GUITAR (1965), an even racier tale about “a sensual love affair between a sister and her blind brother.” (As trashy as that may sound, THE BLUE GUITAR was actually treated seriously and called “near-poetic” in a review published in the SATURDAY REVIEW.)

Austin’s story in the May 1973 issue of MALE, “THE NYMPHO NEXT DOOR,” is a reflection of the love affair editors of men’s pulp magazines had with the words nympho and nymph, the common shorthand terms for nymphomaniac. They inserted those words as often as possible in story titles and cover headlines.

Some regular readers might even have believed that sex-hungry nymphos were everywhere.

But I assume that, for most of them, “nympho stories” were just fanciful entertainment and wishful thinking.

Of course, back then, many benighted men considered any woman who might actually enjoy having sex with a man to be a nympho.

This issue of MALE also has outstanding action/adventure duotones by two other great illustration artists.

One is a wild World War II scene by Bruce Minney (who I interviewed for this blog a while back).

That illo is for the story “THE GREAT STALAG COFFIN ESCAPE.”

It was written by Grant Freeling, another frequent contributor to men’s adventure mags, and is promoted as a “TRUE BOOK BONUS.”

It isn’t actually true in the sense of being, er, true per se.

And, like many “book bonus” stories in men’s adventure magazines (e.g., Robert F. Dorr’s story “THE EROTIC STEWARDESS TAPES” in the same issue), it doesn’t actually come from a book that was ever actually published.

But did MALE’s reader really care about that? Nah. No more than fans of the REAL HOUSEWIVES shows on TV really care if the spats (or boobs) they’re seeing are real.

Another terrific action/adventure duotone in this issue is by the artist Samson Pollen.

Like Kunstler, Copeland, Borack and Minney, Pollen created hundreds of illustrations for men’s adventure magazines and paperback book covers from the late 1950s to the mid-1970s.

Pollen’s illustration in the May 1973 issue of MALE was printed vertically across two pages, as some spreads were in men’s pulp mags. You have to flip it around to see it the right way up, like a centerfold spread.

The story it’s for, “WE BATTLED THE TERROR GANG OF ‘DEATH RIDE’ HIGHWAY,” is an actioner about a tough trucker and his girlfriend.

It’s credited to Al Brown, a writer I could find nothing about. (The name may be a pseudonym, which was common for men’s pulp mag stories.)

From a visual standpoint, some of the other pop culture gems that caught me eye in this issue of MALE were men’s clothing ads. 

One is for ELEGANZA.

According to the full-page ad for that line of menswear “Things happen when you wear ELEGANZA!”

What kind of things?

Well, as I recall, if you’d have worn clothes like that in certain neighborhoods in 1973 you might have gotten the crap kicked out of you, either for looking too gay or for looking like you were trying to invade some other pimp’s territory.

But I think readers of MALE were supposed to think the “things” that would happen were that they’d look really cool and become an irresistible magnet for nymphos like the ones they read about in men’s pulp mags.

If you worried that your beer belly might show under your ELEGANZA duds, you could wear the TRIM-LINE precursor to Spanks.

It offered a way to “trim inches off your waist” using “Lycra power knit,” a modern marvel that would give you “the sleekest physique ever.” At no extra cost, you also got “built in masculine support.”

Underneath it all, you could be wearing your TODAY’S MAN briefs made from “almost invisible next-to-nothing Nylon tricot.” The ad says they were “Definitely for the continental man.”

Hmmm. Looking at the TODAY’S MAN ad makes me wonder if “continental man” was some kind of code language. Nevermind, I don’t want to know. MALE is a magazine for manly men, damnit!

So, in the next post, I’ll focus on some of the articles in the 1973 issue that provide manly advice for men.

In the meantime, if you really want to be cool and manly, buy some of the t-shirts, posters, coffee mugs and other unique products in the Men’s Pulp Mags CafePress store. Things will happen when you do! (One is that your purchase will help keep this blog alive.)

Click here to see t-shirts, posters and other cool stuff in the Men’s Pulp Mags CafePress store

NEW IN THE MEN’S PULP MAGS STORE: Items featuring a cover of NEW MAN

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.