Monday, December 19, 2011

MAN’S MAGAZINE, February 1954 – the legendary “painting vs. photo” market test...


Cool cover paintings are one of the defining characteristics of the men’s adventure magazines that flourished in the 1950s and 1960s — and a primary reason why they are popular collectors’ items today.

Of course, painted covers were common on all types of magazines prior to 1950. But during the Fifties most switched to using photos on their covers.

There are several reasons why men’s adventure magazines held out against that trend until the late Sixties.

For one thing, like the vintage science fiction pulp magazines pulp magazines of the same era, which are also known for their great painted covers, men’s pulp mags featured wild fiction stories and equally over-the-top “true” stories that were best illustrated (or could only be illustrated) with imaginative artwork.

Trying to create photos of scenes in many of those stories would be impossible or end up looking totally lame compared to the images talented pulp artists could create.

In addition, despite how politically incorrect some men’s adventure cover paintings seem now (think scantily-clad damsels being shredded by vicious killer creatures or bound and tortured by non-white natives or demented Nazis) they were generally of less concern to official and self-appointed censors of the Fifties and Sixties than (gasp!) nude photos on or in men’s magazines.

The Taschen book MEN’S ADVENTURE MAGAZINES notes:

“Illustrations had always had more leeway than photographs, because classical painters and sculptors had depicted nudes; thus, a painting of a bound woman in panties being whipped by a Nazi on the cover of REAL MEN was deemed less offensive than a nude centerfold.”

That ironic observation comes from the first chapter, an excellent historical overview of the genre aptly titled “Blood, Sweat, and Tits.”

In that chapter there’s also a mention of an interesting market test that happened in 1954.

The test revealed one other simple reason why the classic men’s adventure magazines used painted covers: most of the men who bought men’s pulp mags preferred them.

As explained in the Taschen book:

IMPACT and some other magazines ran occasional photo covers, but an experiment by STAG competitor MAN’S MAGAZINE in 1954 put an end to that. It produced its February issue with two covers: one a painting of an explorer confronting a tribe of Australian bushmen, the other a pinup photo of Eve Meyer (pneumatic bride of photographer and filmmaker Russ Meyer). Strangely enough, the explorer outsold the lovely Eve, and most he-man magazine publishers stuck to cover paintings for nearly two decades.”

Until recently, I only owned the Eve Meyer version of the February 1954 issue of MAN’S.

But a while ago, during my visit with the renowned men’s pulp art collector Rich Oberg at his home in Tennessee, Rich graciously gave me a copy of the painted cover version. (I returned the favor by giving Rich a MensPulpMags.com t-shirt that features one of the awesome John Duillo cover paintings he owns.)

MAN’S MAGAZINE was one of the earliest and longest-lasting men’s adventure magazines. It was first published in October 1952 and ran until October 1976 (though in its final years it was more a soft-core porn mag than an adventure mag).

Initially MAN’S was published bimonthly in an oversize 10" x 13.25" format. All of the first eight issues published in 1952 and 1953 had painted covers. 

MAN’S was reasonably successful during its first year-and-a-half. But by 1954 the editors wanted to find out if showing “cheesecake” photos of female models and actresses on the cover might attract more readers.

I suspect that question arose due to the recent popularity of pin-up magazines like MODERN MAN, which also began publication in 1952, and the huge splash made by the premiere issue of PLAYBOY in December of 1953.

On the contents page of MAN’S February 1954 issue, the editors explained the painting vs. photo market test this way:

“WHAT KIND of a cover does a man like to see on Man’s Magazine — a stirring adventure scene painted in vivid colors or a true-to-life photograph of a bewitching woman? That’s a question that’s been giving us grey hair for a year, and now we’re putting the decision up to you. In order to determine your preference, we’re publishing this February 1954 issue with not one but two covers! Half the press run bears an exciting painting in full color illustrating the story Naked Devils and Black Magic, which starts on page 10. The other half of this issue has a terrific Kodachrome cover of luscious Eve Meyer of San Francisco (see photo left). She’s the second in our series on America's Unpublicized Beauties, and you’ll find Frisco's Marilyn Monroe in three fetching dimensions on page 13. You'll find photographs of both covers above the contents on the right. Which cover do you like best? How about dropping us a line (a postcard is fine!) casting your vote for your favorite and telling us the type of cover you’d like to see on future issues of Man’s Magazine.”

It took a while for the results to become clear to the editors. They appear to have mistakenly assumed that the photo version would sell better and be more popular with MAN’S readers, since the April and June 1954 issues of MAN’S had a photo of a shapely woman on the cover.

But by the summer of 1954, feedback from readers convinced the MAN’S editors to go back to cover paintings.

The August 1954 features a terrific action painting of a man in a special firefighting suit engulfed in flames, as he combats a raging oil well fire. From then until 1969, MAN’S featured paintings on its covers.

By the late 1960s, PLAYBOY-style magazines and harder-core porn mags were dominating the men’s magazine market. At that point, MAN’S and most other men’s adventure magazines that were still being published stopped using cover paintings and switched to sexy photo covers and increasingly-explicit inside photo spreads to try to stay in business.

However, this simply turned them into copycat porn mags and delayed their demise for a few more years. By the mid-Seventies, the men’s adventure magazine genre had essentially disappeared.

In the next post, I’ll give you a closer look at the stories inside the legendary February 1954 issue of MAN’S MAGAZINE.

By the way, I recently added a complete, high resolution PDF copy of that issue in my Payloadz store. You can download it for $2.99. Your purchase will give you a virtual copy of a men’s adventure magazine issue that is very hard to find in print — and it will also help keep this blog alive.

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Comments? Corrections? Post them in the Men’s Adventure Magazines Facebook Group.


NOW AVAILABLE AS A DIGITAL DOWNLOAD

The February 1954 issue of MAN’S MAGAZINE, with both the painting and photo covers and all interior pages, in high-resolution, searchable PDF format, for only $2.99.

CLICK HERE TO DOWNLOAD

Tuesday, December 13, 2011

REAL men read “REAL” men’s adventure magazines...


The men’s adventure magazine genre that developed after World War II mixed elements from several other popular genres into a unique blend.

Their action-oriented cover paintings and fiction stories were clearly inspired by the all-fiction pulp magazines published from the early 1900s to the 1950s.

But unlike the classic pulps, which focused on publishing fiction stories, the men’s adventure mags included various types of “true stories.”

Some of those stories were fairly straightforward history, news, advice and how-to articles.

Others were sensationalized stories similar to those in the lurid true crime and detective magazines and the celebrity gossip and scandal periodicals that became popular in the 1940s and 1950s (pioneered by Robert Harrison’s infamous CONFIDENTIAL magazine).

As in those envelope-pushing magazines, “true stories” in men’s pulp mags often had a very tenuous basis in reality.

Many were essentially works of fiction that were given an air of reality through the use of “as told to” bylines, phony quotes, staged photos and stock photos. (A good example posted here a while ago is Robert F. Dorr’s story “BEHIND THE SCENES OF BUDAPEST’S SEX REVOLT”.)

The guys who read men’s pulp mags in the 1950s, 1960s and 1970s obviously liked amped-up, over-the-top “real” war, action, adventure and exposé stories. Along with cool pulp art, pulpy fiction yarns and cheesecake photos, those stories gave men’s adventure magazines their own unique character and appeal.

That’s one reason why many men’s adventure magazines have the word “real” or “true” in their titles or subtitles.

For example, two of the best and longest-lasting postwar men’s pulp magazines were REAL, published from 1952 to 1967, and REAL MEN, which ran from 1956 to 1974.

REAL — subtitled “the exciting magazine FOR MEN” — was initially published by Literary Enterprises (from 1952 to about 1959), then by Excellent Publications in the early 1960s, followed by PAR Publications and finally by Arizill Realty and Publishing.

The great skin diver vs. shark cover painting used for the September 1953 issue of REAL shown at the beginning of this post was done by artist Ray Johnson.

The wild croc attack painting on the cover of the October 1959 issue (above) was done by Maurice Thomas.

REAL’s competitor REAL MEN was published by Stanley Publications, one of the companies owned by the pioneering comic book and men’s pulp mag publisher Stanley Morse.

The highly talented and prolific illustrator Victor “Vic” Prezio created the pulpy, eye-grabbing exotic adventure painting featured on the cover of the March 1959 issue of REAL MEN, shown at left.

There were also several shorter-lived men’s adventure magazines that used the word “real” in their titles.

One was REAL ACTION, published from April to November of 1957 by Normandy Associates, another Stanley Morse company.

The artist who painted the very politically incorrect Nazi bondage and torture scene for the August 1963 REAL ACTION cover (shown below) is uncredited.

Another “real” mag was REAL ADVENTURE. It was published by Hillman Periodicals, Inc. from early 1955 to late 1958. The cover of the July 1958 issue features another great painting by Vic Prezio, this time with a man as the bondage and torture victim and a fierce-looking African as the torturer.

REAL COMBAT STORIES, which ran from the fall of 1963 to early in 1972, was put out by the Reese Publishing company. Reese was owned by B. R. “Bud” Ampolsk and Maurice Rosenfield, who also owned EmTee Publications (another company that published men’s adventure magazines).

The unusual above-and-below water scene on the January 1970 issue (below) was done by an uncredited artist.

The men’s adventure magazine REAL LIFE ADVENTURES was published by Vista Publications, Inc.

Vista was one of Martin Goodman’s many companies, which included the venerable Magazine Management and other companies in the “Atlas/Diamond” group of men’s postwar pulp mags. Unlike some of Goodman’s decade-spanning men’s adventure magazines — such as STAG, MALE, MEN, and FOR MEN ONLY — REAL LIFE ADVENTURES failed to find a widespread audience and only lasted for about five issues, published in 1957 and 1958. The painting on the cover of the October 1957 issue, shown above, is by Jim Bentley.

Finally, for men who just couldn’t get enough war stories, there was the magazine REAL WAR, in which virtually every story was indeed related to some aspect of war.

I featured my favorite issue of REAL WAR here a while ago: the futuristic October 1958 Special Issue about “THE WAR IN SPACE! It has yet another great Vic Prezio cover painting.

Getting back to “reality,” you may have noticed that most of the story titles you see on the covers of the men’s adventure magazines that have “real” in their titles do not sound like stories you’d find in mainstream history, travel or news magazines.

For that kind of reality, stick to AMERICAN HERITAGE, NATIONAL GEOGRAPHIC and NEWSWEEK.

If you want reality on steroids, with an LSD chaser, there’s nothing quite like the surreal “reality” of vintage men’s adventure magazines.

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Comments? Corrections? Post them on the Men’s Adventure Magazines Facebook Group.

Some books to put on your Christmas wish list…